boldness
clarity
precision
general directions
These are the things you'll want to keep in mind while designing.
They may overlap with the brand values as seen in the brand platform document but they serve a different purpose, narrowed down for producing specifically visual content.
Having an ambition of changing the way the economy works is quite a statement! While exercising moderation with words, we are straightforward and bold visually. Confidence is a must when you’re on a quest of this scale.

Remember the contrast! You can't make anything out when everything is equally loud.
boldness
Being loud will only get you so far. To design robust and explicit messages, you need to focus and direct the output. Choose a single meaning and commit to it, establish the visual hierarchy based on this choice.

Avoid meaningless decorations! You don’t need them once you’ve got something to say.
clarity
Precision is how you get to be clear. Precision is not a restriction. Precision marks a professional. Precision is when you know what you want to say. Precision is trusted. Precision saves time. Precision makes up the practical meaning of perfection. Precision means you care.

Keep your grids neat, margins uniform and styles consistent!
precision
logo
The contrast between heavyweight strokes and thin counters is the logo's important expressive feature. When it comes to using a smaller logo however one cannot simply take the basic one and scale it down as the counters in this case may become indistinguishably narrow.

With this in mind we provide additional versions with gradually wider counters for use in smaller sizes.

There's also a variable version for fine tuning (make a copy to your drafts to edit).
profile pic & icon
label
Logo, description and the “built on” tag combine to form the label.

It comes in handy when you need to brand various formats quickly and simply tiling logo is not an option (as if it was ever an option).
It’s not an obligatory part of a design though it is designed to look like one.

Label comes in vertical as well as horizontal orientation. Both can be stretched respectively, their contents will not scale, they will maintain equal distance instead.

horizontal label
vertical label
basic
basic
stretched
stretched
the label use cases
#42546E
#D9EE00
#000000
#FFFFFF
colors
colors use cases

The basic rule of thumb is illustrated in the diagram below: each color has the other one it forms a background with and the other two which contrast this combination.

Most of the time you’ll have the support graphics (such as basic shapes) in the background colors and the text over it in the contrasting ones. There are, however, exceptions.
basic shapes
represents an intangible asset
jewel
can represent value or idea. also accompanies change of state and emerging
sparkle
hexagon
are used as secondary elemenmts, nostly on the background and do not convey any particular meaning
the ◖
for illustrations
detailed
for the infographics
iconic
there are two types of humans
you may alter some of the basic shapes
But please, do not stretch or rotate humans.
Thank you.
jewel
can be rotated by 45°
hexagon
can be stretched in any direction provided that you retain the 45° angle
the ◖
can be stretched and rotated by 45° with a straight or a diagonal edge
fonts
Gramatika
for headings & highlights

Manrope
for captions & paragraphs

text styles
Note that some styles correspond each other in line height, it may play its role in laying out a table or any type of list with more than one column.

View it as a recommendation with a specific use case as an example, not a strict set of rules.

formatting
we do not capitalize
anything but first words in paragraphs that have two or more sentences
In other words, only if the paragraph has got a full stop (likely, two), then capitalize as usual.

It’s a matter of our tone of voice, this allows us for looking less formal and refers to swiss graphic design and IT field equally.
we do not highlight with color
we use the means of typography instead
Most of the time highlighting with color is a means of saturating an image visually, of making it “look interesting”. If it’s the case, then color is unlikely to help anyway.

If it’s not the case and you absolutely must highlight it, you can confidently afford accenting with size and spacing.
images
Three categories make up the bulk of the images we use to support our messages, we refer to them as abstract, creativity and architecture. This division is more of a suggestion, not a strict rule and although these categories contain a considerable amounts of suitable images, you are free to go beyond them when looking for a picture.
abstract
creators
architecture
Consider the copyright: it’ll be inconsistent to talk about the intellectual property using stolen photos. Use either images that are avaliable for free (unsplash.com is a nice place), images that you’ve paid for or the ones you’ve produced yourself.

abstract

light trails, other cases of long exposure, expressive depth of field, mixing liquids, geometric patterns, close up paint: most things that look like a texture or a pattern with origin not being immediately obvious.
some of the keywords:
abstract, light trail, light painting, texture

creators

The contrast of a human figure and the environment, sense of freedom as well as vulnerability. It's the allegory for creative process, not for achieving or accomplishing, avoid pictures of people in midair, people with raised arms and other clichés.
some of the keywords:
silhouette, stars

architecture

light trails, other cases of long exposure, expressive depth of field, mixing liquids, geometric patterns, close up paint: most things that look like a texture or a pattern with origin not being immediately obvious.
some of the keywords:
abstract, light trail, light painting, texture
practice
Following set of instructions is there to assist in designing covers for social media as well as to provide some valuable insights about the typography and visual hierarchy. These are general directions, you don't need to follow them to the letter, the form of a step-by-step walkthrough gives us structure and helps both if a) you want to understand the process better or b) you just want quick results.
assess the input
Determine the primary part of the message, consider the rest of it the secondary part then go to step 2.

Primary part is the one that either is the subject of the message or makes sense without the secondary part present.
apply styles
Apply style or styles depending on whether you want to go with a uniform text or you choose to accent a part of the message.

Add a label or a footer, align to grid, tweak, advance to step 3.
choose a picture
Act according to the guide or come up with something relevant yourself and prioritize the readability.

level 0

level 1

level 2

level 3

level 4

roundup

don’t be afraid of suggesting edits in texts if something doesn’t look (or sound) good enough to you
highlighting a part of the message is not necessary, but if you choose to, remember
— to avoid highlighting with color
— to skip a style or two between primary and secondary parts of the message when setting up the visual hirarchy
use either images that are avaliable for free (unsplash.com is a nice place to get those)or images that you’ve paid for
before you begin

don't use “digital” and “blockchain-y” cliches

Not only it disrupts our tone but what’s even worse, it undermines a lot of work done to establish it. It is important for us to stand out, especially with the general public having painful trust issues when it comes to this technology and words that describe it.


don't use symbols that have meaning as decoration

Deeper meaning is constructed by using a symbol in specific circumstances repeatedly. Using it outside them or without any intention to produce meaning at all erodes its meaning and makes connecting with it in the future more difficult.


don't be afraid of empty space

The negative space is a powerful tool for directing user’s attention, utilize it.


don't think that every pixel of every layout should tell about everything we are

The thing is, no piece of our communication exists in vacuum, with little to no exceptions. Everything is seen in the context, be it in literal space of the web page or among fragments of knowledge about us in user’s head. We brand heavily things that are more likely to be first points of contact and let go when we deal with the rest.

do check if somebody already did what you’re about to do

It’s very often worth asking around or looking yourself. Even if the result won’t be the exact solution you seek right now, it'll most certainly be a nice starting point.


do check if we have a tool/template for what you’re about to do

It’ll save you lots of time in addition to making our communication more consistent. Not to mention the understanding of the system you'll get browsing through our assets and tools.


do keep your means of expression lean, keep decorations to minimum

Even if you are to convey the mood as opposed to being informative or telling a story, please do. Any message benefits from clear intention and deliberate execution.


do read the guideline

As obvious as it may seem, a lot of work has initially been done with no regard to it. Reading the guideline is by far the fastest way to learn to apply the visual identity system.

examples

01
room for improvement

1. Sparkles do not mean anything here;


2. Poor image choice;


3. Shape as a background for a text block;


4. The font is something other than Gramatika Bold.

suggestions

1. Generally, we do not use sparkles to fill up empty space or make things «look interesting», the label does it just fine. You can even make your own label based on the context and current needs. The basic shapes start to fail to convey their meanings even in an appropriate context if we start using them for decoration. Basic shapes descriptions and use cases in the guideline;


2. This background image was found on unsplash.com by keyword “gaming”. It’s dark enough to allow us for using white for the text without additional background elements and at the same time not too dark so we can still make out what’s in the picture;


3. We do not use support graphics as text containers as it tends to take up a lot of space and can be easily avoided by finding a suitable image;


4. Styles are described in the guideline.

02
room for improvement

1. Overloaded with unnecessary non-functional elements


2. The background is way off the brand


3. Text is bloated with repetitions

suggestions

1. Any table benefits from getting rid of borders: lines are continuous inherently due to the reading logic while aligning text gets columns separated naturally.


2. Avoiding “digital” and “blockchain-y” cliches was one of our goals from the beginning: they disrupt our tone by making us look like one-more-faceless-crypto-something-something.


3. Seeking to reduce this redundancy means you care.

03
room for improvement

1. Overloaded with unnecessary non-functional elements


2. The background is way off the brand


3. Text is bloated with repetitions

suggestions

1. Any table benefits from getting rid of borders: lines are continuous inherently due to the reading logic while aligning text gets columns separated naturally.


2. Avoiding “digital” and “blockchain-y” cliches was one of our goals from the beginning: they disrupt our tone by making us look like one-more-faceless-crypto-something-something.


3. Seeking to reduce this redundancy means you care.

04
room for improvement

1. Nodes on the background


2. The logo of the protocol instead of token

suggestions

1. Again, avoiding “digital” and “blockchain-y” cliches was one of our goals from the beginning: they disrupt our tone by making us look like one-more-faceless-crypto-something-something.


2. There’s branding for the token as well. Comes with social media templates and tokenomics document.

05
room for improvement

1. The layout


2. The logo of the protocol instead of token

suggestions

1. This time we literally had the picture.


2. There’s branding for the token as well. Comes with social media templates and tokenomics document.

06
room for improvement

1. The font is something other than Gramatika Bold


2. Minor concerns

suggestions

1. Styles are described in the guideline.


2. The barcode feels like an unnecessary move, label can do just that and the whole thing will look more recognizable and consistent. The perforation line is generally more dense: images of things look more convincing when you depict them accounting for their function.